Described by Opera UK as a “heroine [with] poise, expressive singing, excellent vocalism, and a dark and full tone,” Canadian soprano Kirsten MacKinnon has captured the attention of audiences across North America and Europe. In the 25/26 season, Ms. MacKinnon will sing Governess in Britten’s Turn of the Screw with Pacific Opera Victoria, and recently, sang Christine in La Reine-garçon with Canadian Opera Company, as well as Contessa in Le nozze di Figaro with the Opera Regio di Torino. In concert, she performed Beethoven’s Symphony No. 9 with Artis Naples and Alexander Shelley, as well as with the Orchestre Symphonique d’Québec.
In the 23/24 season, Ms. MacKinnon debuted with Opéra de Montréal as the Contessa in Le nozze di Figaro, and returned to Vancouver Opera as Pamina in Die Zauberflöte. In concert, she performed Beethoven’s Symphony No. 9 with Alexander Shelley and the National Arts Centre Orchestra in Ottawa, as well as in a tribute to Maria Callas with the Orchestre symphonique de Laval in Québec.
Recent operatic highlights have included Canadian Opera Company and Glyndebourne Festival as Fiordiligi Così fan tutte; Maggio Musicale Fiorentino as Countess in Le Nozze di Figaro, Oper Frankfurt for her debut as Inès L’Africaine, described by Heute Musik as “dreamlike,” as well as the Countess in Capriccio, Micaëla in Carmen, the Countess in Le nozze di Figaro and Hanna Glawari in The Merry Widow. Other notable appearances have included Micaëla at Opera Philadelphia, Helena in A Midsummer Night’s Dream with Aix-en-Provence Festival on tour to Beijing, Pamina in Die Zauberflöte and Countess with Garsington Opera Festival.
In addition to her operatic engagements, Kirsten has performed in concert with the Münchner Rundfunkorchester, the orchestra of the Maggio Musicale Fiorentino, Netherlands Radio Philharmonic, Toronto Symphony Orchestra, Chamber Orchestra of Philadelphia, Curtis Chamber Orchestra and the Vancouver Symphony Orchestra. She has also given recitals in Vancouver, Philadelphia, New York, Bayreuth, Neumarkt, and Spoleto.
A graduate of the Curtis Institute of Music under the mentorship of Professor Edith Wiens, she held the Alfred Greenberg Memorial fellowship during her studies, and was also a grant holder of the Jacqueline Desmarais Foundation for Young Canadian Opera Singers. Based in Montréal, Kirsten was a Grand Finals winner of the Metropolitan Opera National Council Auditions, and the Grand Prize winner at the Canadian Music Competition in Montreal, Quebec, and Classical Singer Magazine’s voice competition.