The Keynotes Collection
Welcome to the Keynotes Collection – a curated exploration of Pacific Opera Victoria’s recent productions. Here are articles from our Keynotes Newsletter, video excerpts, incisive Programme Notes from Artistic Director Timothy Vernon, insightful Notes from the Directors of each production, as well as selections from media reviews.
Relive the magic of productions you’ve seen.
Discover more about operas you love.
Revel in the eye candy of our production photos.
Dip your toe into new opera experiences (the water is warm). Come back frequently to see what’s new as we add to the collection … including new video excerpts released on the Keynotes pages every Friday.
A high-flying comedy and a touching story of our time.
Canadian Première, February 2020
A 20th century opera about people with places to go and lives to change, Flight launched Jonathan Dove as one of today’s most acclaimed composers. Pacific Opera’s production was directed and designed by the renowned team of Morris Panych and Ken MacDonald, who created our 2016 production of The Barber of Seville.
An airport is a place to get away from. But it becomes a place for unexpected encounters when a group of travelers and airport workers are grounded overnight by a storm. Inspired by the true story of a refugee who lived in an airport for 18 years, Flight is surprisingly playful, sometimes risqué – and it frequently soars into sheer poetry.
Three operas … one mind-blowing work
The last opera Puccini completed, Il trittico has been called his greatest achievement. When all three of its one-act operas are staged together, the experience is an emotional roller-coaster ride through everything opera can be. The trio includes Il tabarro (The Cloak), Suor Angelica, and Gianni Schicchi. Despite Puccini’s insistence that all three operas be performed together, this rarely happens, as it is such a massive and complicated undertaking.
Pacific Opera’s production, directed by Glyis Leyshon with design by Pam Johnson, was the first Canadian production of this masterpiece in nearly 50 years.
Emmerich Kálmán’s luscious operetta is a celebration of the delights of music, dance, and romance.
When the beguiling young Countess Maritza invents a fiancé in order to keep her hordes of admirers at bay, it’s inevitable that she will find true love by the end of the story.
With plenty of plot twists and fireworks, a happy ending, and scrumptious music from the heyday of Viennese operetta, this romantic comedy is sophisticated, nostalgic, and unabashedly entertaining – a joyous reminder that not all opera is “a song of love and death.”
One of opera’s most enduring love stories
In this sumptuous production, set in the 1920s, Violetta is a music hall artist – beautiful, sought after, but not quite respectable. As her tragedy unfolds, we marvel again at Verdi’s compassionate and extravagantly melodic portrayal of a woman who isn’t allowed to fit in.
This historic five-company co-production was designed to be staged for audiences across Canada over the span of three seasons. It was performed at Manitoba Opera and Edmonton Opera in 2018. Following its Victoria run, the production moved to Vancouver Opera in fall 2019 and is scheduled to be presented at Opéra de Montréal in 2021/22.
A masterwork for all times
Beethoven’s only opera, Fidelio tells a story as eternal as tyranny and as powerful as love. Fidelio goes straight to the heart of what it means to be human and is as relevant and inspiring today as it ever was.
A timeless call for human justice, this magnificent work expresses Beethoven’s heartfelt sense of the fragility of freedom and the necessity of hope – all with music of heart-stopping beauty.
Young love, Paris, and Puccini … resistance is futile.
One of the most loved operas of all time, Puccini’s La bohème is a gorgeous, nostalgic slice of life about a group of young friends hanging out together, experiencing Paris and love, and loss. Puccini’s music sparkles with humour, pours out lush, sumptuous melodies, and is always completely irresistible.
This 2018 production, directed by Maria Lamont, with design by Camellia Koo, was the sixth production of this perennial favourite that Pacific Opera has created.
One of Handel’s most flamboyant accomplishments
Handel’s first big hit for the London stage, Rinaldo contains some of his most ravishing music and tells an exotic tale of war, love, and sorcery.
The story introduces General Goffredo and the mighty knight Rinaldo, who are at war with Argante, the blustering king of Jerusalem, and his mistress, the wicked enchantress Armida. When Armida kidnaps Rinaldo’s beloved fiancée Almirena, Rinaldo and Goffredo embark on a quest to rescue Almirena and defeat Armida and her minions.
Set in a world inhabited by sorcerers, kings, mermaids, furies, and dragons, Rinaldo is a masterpiece of Baroque opera – an extraordinary theatrical and musical experience, full of spectacle and magic.
A romantic drama of startling beauty
In 1912, a group of boys at a Quebec college rehearse Gabriele D’Annunzio’s sensual play The Martyrdom of Saint Sebastian. As a devastating love triangle unfolds, one boy dies, one is sent to prison, one becomes a bishop. Decades later, the bishop is made to watch as prisoners re-enact the past.
Based on a celebrated Canadian play, with the libretto by the playwright, Les Feluettes brings the splendour of Michel Marc Bouchard’s language to the opera stage, with an eclectic, sympathetic score by composer Kevin March. Co-commissioned and co-produced by Pacific Opera Victoria and Opéra de Montréal, Les Feluettes is one of the most acclaimed of Canadian operas.