May 08, 2020 1:00pm
Venue Pacific Opera Website
A musical balm for the soul
Grab a coffee, take a breath, and hang out with an artist! Enjoy intimate glimpses of some of the Pacific Opera family of artists, as they share their homes, their songs and how things are going for them during this extraordinary time. Opera singers featured in Pacific Opera’s 2019/20 and 2020/21 seasons perform from their kitchens and living rooms for your afternoon coffee break. Tune in, kick back, and stay connected to the opera you love from the comfort of your own home.
Friday, May 8, 2020 | 1 pm | On Demand
Josh is also making waves with his entry in the ‘La speranza’ challenge (where tenors post videos of themselves singing the climactic high C of Rodolfo’s aria “Che gelida manina” in La bohème). Find out all about it (and catch the over-the-top vocalizations of a few tenors, including Josh) in this article from the Owlkids Weird Zone: ‘La speranza’ challenge hits a high note of silliness.
A native of Victoria, Josh Lovell performed with the Pacific Opera Chorus for several seasons and made his solo debut as Bardolfo in our 2013 Falstaff – while he was still an undergrad at the University of Victoria, studying with Ben Butterfield. He returned the following season as Normanno in Lucia di Lammermoor, then headed off for studies at the University of Michigan, followed by a debut at Lyric Opera of Chicago as a member of the Ryan Opera Center’s Ensemble. Josh was the 2018 Grand Prize and Opera Prize winner at the 52nd Annual International Vocal Competition‘s-Hertogenbosch, in The Netherlands. He took 2nd place in the 2018 Dallas Opera competition, 3rd place in the Marcello Giordani Foundation competition, and was a 2017 semi-finalist with the Metropolitan Opera National Council Auditions.
He is now based in Austria, where his engagements have included Poisson in Adriana Lecouvreur at the Salzburg Festival, alongside Anna Netrebko in the title role; as well as Lysander in A Midsummer Night’s Dream and Lurcanio in Ariodante, both with the Wiener Staatsopera.
The central couple were dream casting: Anush Hovhannisyan’s Donna Anna was sung with infinite grace, while Josh Lovell partnered her as Don Ottavio with an expressive purity of tone which we all too seldom hear.
Michael Church, The Independent. Review of Don Giovanni, 2018 New Generation Festival, Florence, Italy.
Monday, April 27, 2020 | 1 pm | On Demand
Neil Craighead made his Pacific Opera Victoria debut as Truffaldino in Richard Strauss’ Ariadne auf Naxos in 2014, returning in 2016 as Pietro in Verdi’s Simon Boccanegra and in 2018 as Don Fernando in Beethoven’s Fidelio. His most recent Pacific Opera performance was as the Minskman in the 2020 Canadian première of Jonathan Dove’s Flight.
Craighead’s singing with its caramelized undertones is intoxicating, his instrument lustrous as neon.
Ian Ritchie, Opera Going Toronto
Carmen with the Pacific Opera Chorus
Sunday, April 26, 2020 | 2:30 pm | On Demand
Monday, April 20, 2020 | 1 pm | On Demand
A message of hope and solace at a terrible time, this is the most well known of the many hymns Lowry wrote. Aaron Copland arranged it, as did Charles Ives. Todd Thomas sings it a cappella – with warm-hearted humanity, and a beautiful voice.
Todd then chats with Rebecca Hass about his life these days with his family in Philadelphia and about the friendships he has developed during his opera engagements in Victoria. And of course, they talk about what they want to do as soon as the COVID-19 restrictions are lifted and they can gather again with friends.
American baritone Todd Thomas made his Pacific Opera Victoria debut and his role debut as Alberich in the company’s 2014 production of Wagner’s Das Rheingold. He subsequently returned for two Verdi roles – Iago in Otello and the title role in Simon Boccanegra – and for two leading roles in Puccini’s Il trittico – Michele in Il tabarro and the title role in Gianni Schicchi.
Heroic baritone Todd Thomas also shone in his two roles. As Michele, he offered vocal heft and menacing presence. Yet he also made clear that he too was fatally damaged by the loss of his son which, combined with grief over his wife’s betrayal, leads him to commit murder. As Gianni Schicchi, Thomas gave an equally energetic and committed performance as the (almost) lovable rogue who steals an inheritance right under the noses of a family who can’t wait to get their greedy hands on it.
Monday, April 13, 2020 | 1 pm | On Demand
Justin Welsh started out at Pacific Opera Victoria as a participant in the company’s first Young Artist Program and sang the role of Lapak the dog in the 2005 production of The Cunning Little Vixen. He returned to Pacific Opera for the title role in Mozart’s The Marriage of Figaro in 2014, followed by performances as Papageno in The Magic Flute and the Immigration Officer in the 2020 Canadian première of Jonathan Dove’s Flight.
Justin Welsh’s Figaro is a charming scamp, immensely likeable and vividly expressive, whether cavorting or scheming or cursing womankind.
Monday, April 6, 2020 | 1 pm | On Demand
The words to A Red, Red Rose were written by Robert Burns in 1794. The melody is much older. It’s based on a traditional air known as “Low down in the broom,” that is one of hundreds of English, Scottish, and Welsh folk songs that Joseph Haydn (yes, that Joseph Haydn) arranged.
If you’d like to explore this song a little further, listen to Haydn’s peppy version for voice and piano trio of Low down in the broom (Hob. XXXIa no. 210). It’s part of a four-CD recording of Haydn’s Scottish and Welsh songs by the Haydn Trio Eisenstadt, with soprano Lorna Anderson and tenor Jamie MacDougall. To hear all four of these delightful CDs, go to Spotify and search on “Haydn Trio Eisenstadt.”
Adam Luther has performed multiple roles with Pacific Opera, most recently Luigi in Il tabarro and Gherardo in Gianni Schicchi (two of the three operas in Puccini’s Il trittico), as well as Count Tassilo in last season’s Countess Maritza.
Luther’s Tassilo is an attractive, rather earnest and somewhat touchy young man. He has an irresistible voice, vibrant, strong and clear and perfect for Kalman’s luxuriant lines.
Monday, March 30, 2020 | 1 pm | On Demand
As the pregnant Minskwoman, Allyson McHardy … with her warm and chocolaty mezzo, so easily inhabits the role, she makes it clear that it is fear, not lack of love, driving her hesitation. We are fully on her side by time she finishes.
Opera Etc. From our home to your home
Physically Distant – Socially Connected
See all events